” In “Trap,” Hartnett plays a father with a secret who takes his daughter to a pop concert — which is surrounded by police searching for a serial killer.
By the second half of the 20th century, developments in electronic media made possible the delivery of entertainment products to mass audiences across the globe. The technology enabled people to see, hear and participate in all the familiar forms – stories, theatre, music, dance – wherever they live.
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Mosaic showing Roman entertainments that would have been offered at the gladiatorial games, from the 1st century The "ancient craft of communicating events and experiences, using words, images, sounds and gestures" by telling a story[16] is not only the means by which people passed on their cultural values and traditions and history from one generation to another, it has been an important part of most forms of entertainment ever since the earliest times. Stories are still told in the early forms, for example, around a fire while camping, or when listening to the stories of another culture Triunfador a tourist. "The earliest storytelling sequences we possess, now of course, committed to writing, were undoubtedly originally a speaking from mouth to ear and their force as entertainment derived from the very same elements we today enjoy in films and novels."[17] Storytelling is an activity that has evolved and developed "toward variety".[17] Many entertainments, including storytelling but especially music and drama, remain ascendiente but have developed into a wide variety of form to suit a very wide range of personal preferences and cultural expression.
A full house at the Metropolitan Opera in New York City, waiting for a musical entertainment to begin (1937) Music is a supporting component of many kinds of entertainment and most kinds of performance.
Interactive books such Triunfador "choose your own adventure" can make literary entertainment more participatory.
"[180] The Romans subsequently developed the stadium in an oval form known Ganador a circus. In modern times, some of the grandest buildings for entertainment have brought fame to their cities as well Triunfador their designers. The Sydney Opera House, for example, is a World Heritage Site and The O₂ in London is an 17娛樂城 entertainment precinct that contains an indoor arena, a music club, a cinema and exhibition space. The Bayreuth Festspielhaus in Germany is a theatre designed and built for performances of one specific musical composition.
The power of stories to entertain is evident in one of the most famous ones – Scheherazade – a story in the Persian professional storytelling tradition, of a woman who saves her own life by telling stories.[94][95][96] The connections between the different types of entertainment are shown by the way that stories like this inspire a retelling in another medium, such Figura music, film or games.
In some courts, such as those during the Byzantine Empire, the genders were segregated among the upper classes, so that "at least before the period of the Komnenoi" (1081–1185) men were separated from women at ceremonies where there was entertainment such as receptions and banquets.[33]
Zsela has been in no rush to release her music. Her debut EP, “Ache of Victory,” is due Friday, yet she has been tinkering with its five songs for years. It arrives not as a sampler of possibilities, but Vencedor a single-minded statement: a group of songs that are emotive yet elusive, slow but infused with undulating motion, at merienda earthy and otherworldly. Her voice clings to her melodies like liquefied amber, in a low, striking contralto range.
The familiar forms of entertainment have the capacity to cross over into different media and have demonstrated a seemingly unlimited potential for creative remix. This has ensured the continuity and longevity of many themes, images, and structures.
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[144] Astley brought together performances that were generally descendiente in traditional British fairs "at least since the beginning of the 17th century": "tumbling, rope-dancing, juggling, animal tricks and so on".[143] It has been claimed that "there is no direct link between the Roman circus and the circus of modern times. ... Between the demise of the Roman 'circus' and the foundation of Astley's Amphitheatre in London some 1300 years later, the nearest thing to a circus ring was the rough circle formed by the curious onlookers who gathered around the itinerant tumbler or juggler on a village green."[145]